The Brilliance of Moana’s “Shiny”

https://www.youtube.com/watch?v=93lrosBEW-Q

In one scene, Disney accomplishes so much:

  1. A fun and catchy song

  2. A memorable (if minor) villain

  3. A great action sequence with brilliant visuals

  4. A great reminder/introduction to just how vast the supernatural world is: Tamatoa is bigger than any house Moana has seen,  and he lives in a giant clamshell

  5. Tamatoa’s expression of terror when Maui takes hold of his hook for the first time shows just how powerful and feared Maui was back in the day. It proves that “You’re Welcome” wasn’t just puffery and showing off.

  6. Setup for an ongoing difficulty/twist: Maui’s inability to use his hook’s powers like he used to, and his sense that without his hook, he’s nothing.

  7. The sense that Maui isn’t the only one who thinks he’s nothing without his hook: Tamatoa agrees.

  8. Demonstration of Moana’s fear when faced with the supernatural world, then her courage to recover, and her resourcefulness to trick Tamatoa

  9. Revelation the Maui was abandoned at some point, feels alone, and does great deeds for humans mostly to feel wanted and accepted

  10. Moana saves Maui, which elevates her to his level, and puts them on more equal footing.

All in less than four minutes.

As they say on Firefly, “Shiny.”

https://www.youtube.com/watch?v=BFpgtYJLVW4

Wanna see something else shiny?

https://www.youtube.com/watch?v=knlw6kFP_RU

Audio-Visual Comfort Food

There is something comforting about going back to the old familiar.
Walking among the trees you climbed as a child
Holding a favorite childhood stuffed animal
Smelling a blanket or quilt your grandmother made
Tasting a favorite food from long ago

And so it is no wonder that so much of what we watch is old
Sherlock Holmes: Game of Shadows, Sherlock, Elementary
Ghostbusters, Ninja Turtles, and Superheroes by the score
Jane Austin remade, remixed, even reimagined with zombies
Ponies and Transformers and Jedi, oh my!

This is an appalling display of unoriginality
This is also what we want. It’s what I want.
I don’t want the stories I grew up with to lie in their graves
Even if some of them were so bad that’s all they deserve
Even if their remakes are nothing short of abysmal.
Would I rather have Zach Snyder’s Randian pukestorm,
Or have Superman be forgotten?
If those are my choices, I’d rather see the red S fly.
Even if I don’t bother seeing the movie
Of course, I’d rather the remake be good.

Jane Austen fans usually get their wish on that front
Not just quality film adaptations
But expansions and reimaginings
Austenland, Lost in Austen, Death Comes to Pemberly
Even Pride and Prejudice and Zombies
But their day is coming, too
Just wait til they unleash Michael Bay on the Austenverse
Then they’ll know how the rest of us feel:
Persuasion will be the name of the gun
Emma uses to blow up Mansfield Park
Okay, maybe Dannie’s right.
Maybe these are “horrific money-grabs”
A lot of them are definitely “weaksauce storytelling”
And maybe I’ll never see good versions of my childhood favorites
On the big screen.
But we 80’s kids can hope, can’t we?